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  2. Bathroom cabinet - Wikipedia

    en.wikipedia.org/wiki/Bathroom_cabinet

    A bathroom cabinet is a cabinet in a bathroom, most often used to store hygiene products, toiletries, and sometimes also medications such that it works as an improvised medicine cabinet. There are two main types of bathroom cabinets: vanity cabinets which are usually placed under sinks and mirror cabinets which are usually placed over sinks or ...

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    Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!

  4. Mirror - Wikipedia

    en.wikipedia.org/wiki/Mirror

    A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...

  5. JoJo's Bizarre Adventure: Stardust Crusaders - Wikipedia

    en.wikipedia.org/wiki/JoJo's_Bizarre_Adventure...

    Polnareff sees J. Geil's Stand the Hanged Man in the mirror of a restaurant's toilet. He smashes the mirror before the Stand gets too close. Afterwards, he decides he should hunt down J. Geil on his own, despite Avdol's warnings that they should remain together. Elsewhere, Hol Horse, another of Dio's assassins, teams up with J. Geil to kill ...

  6. Vanity - Wikipedia

    en.wikipedia.org/wiki/Vanity

    In Western art, vanity was often symbolized by a peacock, and in Biblical terms, by the Whore of Babylon. During the Renaissance, vanity was often represented as a naked woman, sometimes seated or reclining on a couch. She attends to her hair with comb and mirror. The mirror is sometimes held by a demon or a putto. Symbols of vanity include ...

  7. Ascending and Descending - Wikipedia

    en.wikipedia.org/wiki/Ascending_and_Descending

    Two figures sit apart from the people on the endless staircase: one in a secluded courtyard, the other on a lower set of stairs. While most two-dimensional artists use relative proportions to create an illusion of depth, Escher here and elsewhere uses conflicting proportions to create the visual paradox.

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