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Tempo rubato (Italian for 'stolen time'; UK: / ˈ t ɛ m p oʊ r ʊ ˈ b ɑː t oʊ /, US: / r uː-/, [1] [2] Italian: [ˈtɛmpo ruˈbaːto];) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor.
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
The first of these takes up over half the symphony in duration and begins ‘Sostenuto, marcato’, gradually quickening in tempo until a fugato marked ‘Intensivo’ is reached. The second section is a tranquil adagio, which gives way to the third and final part: a tempestuous Allegro finale.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In popular music genres such as disco, house music and electronic dance music, beatmatching is a technique that DJs use that involves speeding up or slowing down a record (or CDJ player, a speed-adjustable CD player for DJ use) to match the tempo of a previous or subsequent track, so both can be seamlessly mixed.
Quickening (lit. "reviving"), as in "ravvivando il tempo", returning to a faster tempo that occurred earlier in the piece [11] recitativo Recitative (lyrics not to be sung but to be recited, imitating the natural inflections of speech) religioso Religious repente Suddenly reprise Repetition of a phrase or verse; return to the original theme ...
A rush to crown the pair as Noughties indie royalty saw the record hailed as their towering achievement, but White Blood Cells is a much more breathless and pulse-quickening affair. MB 18.
The principal portion of alapa is not metric but rhythmically free; in Hindustani music it moves gradually to a section known as jor, which uses a rhythmic pulse though no tala (metric cycle). The performer of the alapa gradually introduces the essential notes and melodic turns of the raga to be performed.