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Court dress with long train. Portugal, c.1845. In clothing, a train describes the long back portion of a robe, coat, cloak, skirt, overskirt, or dress that trails behind the wearer. It is a common part of ceremonial robes in academic dress, court dress or court uniform. It is also a common part of a woman's formal evening gowns or wedding dresses.
In the early 21st century, many wedding dresses were sleeveless and strapless. [3] Other brides preferred styles with sleeves, higher necklines, and covered backs. [3] The latest wedding dress designs, as of 2024, feature drop-waist silhouettes, convertible gowns, intricate crystal embellishments, tulle, and gowns that display vintage charm. [4]
[10] The final design of the dress was kept secret, although much speculation surrounded it. It was said the princess feared that if details were published fashion house copies would make it impossible for her to make last-minute design alterations. [11] The dress was taken to the palace a day before the wedding in a 4-foot (1.2 m) box.
An evening gown, evening dress or gown is a long dress usually worn at formal occasions. [1] The drop ranges from ballerina (mid-calf to just above the ankles), tea (above the ankles), to full-length. Such gowns are typically worn with evening gloves. Evening gowns are usually made of luxurious fabrics such as chiffon, velvet, satin, or organza.
One of the most talked-about aspects of a wedding is the bride's dress. You know, how beautiful she looked, how the groom's eyes' lit up when he saw her... but one bride's dress has everybody talking.
The dress featured "lace flounces adorning neckline and sleeves". [8] A replica of the dress at West Edmonton Mall, in Edmonton, Canada, in 2013. Fittings of the dress posed difficulties because Diana had developed bulimia and dropped from a size 14 to a size 10 in the months leading up to the wedding. Even the seamstress was concerned about ...
Chiffon's Wedding (French: Le mariage de Chiffon) is a 1942 French historical comedy film directed by Claude Autant-Lara and starring Odette Joyeux, André Luguet and Jacques Dumesnil. [1] [2] [3] It is based on the 1894 novel of the same title by Sibylle Riqueti de Mirabeau. The film's sets were designed by the art director Jacques Krauss.
[6] [10] In an interview before the wedding she had spoken about the importance of "showing people your scars". [10] [9] The fabric for the dress was created at the designers' studios and featured different symbols in form of "rope-like motifs, woven into a jacquard of silk, cotton and viscose blend".
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