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Japanese bride in her tsunokakushi. The Tsunokakushi is a type of traditional headdress worn by brides in Shinto wedding ceremonies in Japan.This is made from a rectangular piece of cloth folded and worn to partially cover bride's hair (in modern days, often a wig), worn in the traditionally-styled bunkin takashimada (文金高島田).
Antique nihongami katsura (wig) in a display case. The yuiwata hairstyle. Many hairstyles now labelled nihongami were developed during the Edo period, when a preference amongst women for long, flowing hairstyles transitioned towards more elaborate, upswept styles, featuring buns at the back of the neck and 'wings' at either side of the head.
During the wedding rituals, Cantonese brides invariably don a qungua, a highly embroidered red silk dress, which consists of a petticoat, adorned with the images of a 龍 (lùhng) (dragon) and a 鳳 (fuhng) (phoenix), and a long skirt. [9] [10] A hair combing ceremony (see description below) is performed.
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At this time women's hairstyles reflected their social status as well as their marital status. The binyeo was also considered as a symbol of being a married woman. Often given as a gift from their husband or suitor. At the gyerye rite, a part of the coming-of-age ceremony, many girls would first wear and display this specific type of hair pin.
In the present day, traditional Japanese hairstyles are not commonly worn, typically being worn only by geisha, maiko, sumo wrestlers, brides, modern tayū and oiran re-enactors, with both geisha, brides, tayū and oiran, and some apprentice geisha in some regions of Japan, using pre-styled wigs instead of their own hair.
Wedding ceremony: The final ritual would be the actual wedding ceremony where bride and groom become a married couple. This consisted of many elaborate parts: Wedding procession: Before the meeting, the bride would be helped by a respectable old woman to tie up her hair with colourful cotton threads. She would wear a red skirt, to symbolize ...
The Tiaoxin (Chinese: 挑心); pinyin: Tiāo xīn) is a Chinese hairpin worn by women in the Ming dynasty in their hair bun; the upper part of the hairpin was usually in the shape of a Buddhist statue, an immortal, a Sanskrit word, or a phoenix. [11]
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