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Lemon Popsicle (Hebrew: אסקימו לימון, romanized: Eskimo Limon) is a 1978 teen comedy-drama film co-written and directed by Boaz Davidson. It s the most commercially successful Israeli film of all time, which has led to the production of a series of sequels. [1] The cult film follows a group of three teenage boys in early-1960s Tel Aviv.
The production was granted a tax credit to film in California in February 2022. [9] Principal photography took place in mid 2022. [10] To promote the movie, Kelloggs' and Netflix collaborated on a campaign called "Not brought to you by Pop-Tarts", including a mock legal threat, a short starring Seinfeld, and limited-edition packaging. [11]
The film was directed by Boaz Davidson, and is a remake of his 1978 Israeli film Lemon Popsicle, which features a similar plot. [8] Lemon Popsicle had been produced by Yoram Globus and Menahem Golan , who had then recently acquired the American film distribution company Cannon Films . [ 1 ]
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Best Documentary Film: Daughters: Nominated [12] San Francisco Bay Area Film Critics Circle: December 15, 2024: Best Documentary Feature: Nominated [13] St. Louis Film Critics Association: December 15, 2024: Best Documentary Feature: Nominated [14] Dallas–Fort Worth Film Critics Association: December 18, 2024: Best Documentary Film: 2nd place ...
The film's main theme is "Cider no Yō ni Kotoba ga Wakiagaru" performed by Never Young Beach. [7] The insert song for the film is "YAMAZAKURA", performed by city pop artist Taeko Onuki. [8] Internationally, the film was streamed on Netflix both dubbed and subbed, starting on the same day as the Japanese theatrical release. [9]
The film concerns three teenage boys, Benji (Benzi), Bobby (Momo), and Huey (Yudale). Benji falls in love with Tammy in a party. He tries to make love with her but she leaves the party. When Benji gets drunk and Huey's girlfriend, Martha, tries to sleep with him, he rebuffs her.
Evelyn premiered at the 2018 London Film Festival. [7] [8] It screened on BBC Two on 18 May 2019 [9] and was released from 10 September 2019 on Netflix. [1] Reviewers described the film as a raw, powerful look at a family trying to make sense of suicide. [10] It was chosen as Best Documentary in the British Independent Film Awards of 2018. [11]