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"Greetings from Chicago, Illinois" large-letter postcard produced by Curt Teich The history of postcards is part of the cultural history of the United States. Especially after 1900, "the postcard was wildly successful both as correspondence and collectible" and thus postcards are valuable sources for cultural historians as both a form of epistolary literature and for the bank of cultural ...
Large-letter postcards were a style of postcards popular in North America in the first half of the 20th century, especially the 1930s through the 1950s. The cards are so-called because the name of a tourist destination was printed in three-dimensional block letters, each of which were inset with images of local landmarks. [ 1 ]
With steam locomotives providing fast and affordable travel, the seaside became a popular tourist destination, and generated its own souvenir-industry. A seaside postcard. In the early 1930s, cartoon-style saucy postcards became widespread, and at the peak of their popularity the sale of saucy postcards reached 16 million a year.
Humorous greeting cards, known as studio cards, became popular in the late 1940s and 1950s. In the 1970s, Recycled Paper Greetings, a small company needing to establish a competing identity against the large companies like Hallmark Cards, began publishing humorous, whimsical card designs with the artist's name credited on the back.
Curt Otto Teich (March 1877 – 1974) was an American publisher of German descent who produced popular color postcards, primarily of scenes from American life. He was a pioneer of the offset printing process. Under his management, Curt Teich & Company became the world's largest printer of view and advertising postcards. [1]
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In 1775, when Benjamin Franklin was appointed the first Postmaster General, the U.S. Post Office was born. So important was the Postmaster General that in 1829 this position was included among those in the President's Cabinet. As America began to grow and new towns and villages began to appear, so too did the Post Office along with them.
Miranda Lambert maintains homes in both Nashville and Austin — hardcore country music’s equivalent of being bicoastal. One of those locales gets a bit more emphasis than the other on her just ...