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Then, if for my love thou my love receivest, I cannot blame thee for my love thou usest; But yet be blamed, if thou thyself deceivest By wilful taste of what thyself refusest. I do forgive thy robbery, gentle thief, Although thou steal thee all my poverty: And yet, love knows, it is a greater grief To bear love’s wrong than hate’s known injury.
Sonnet 26 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.. The sonnet is generally regarded as the end-point or culmination of the group of five preceding poems.
The couplet summarizes the sonnet in two lines, "Therefore, like her, I sometime hold my tongue, because I would not dull you with my song". This is a clear statement from the poet vocalizing for the final time that he will not dull, bore, or represent his muse in a tedious way by creating a sonnet as exhausted and clichéd as his ...
The Norton Shakespeare annotates "and keep invention in a noted weed" thus: And keep literary creativity in such familiar clothing. The Oxford English Dictionary's definition of weed is "an article of apparel; a garment", and is consistent with the theme of mending, re-using, etc. ("all my best is dressing old words new"). [8]
This theory states that the Earl, one of Shakespeare's patrons, became the subject of Shakespeare's love, and the majority of the Sonnets are addressed to him. More specifically, Sonnet 105 occupies a group of sonnets within the Fair Youth sequence, from 97 to 105, that seem to indicate happiness at the return of Shakespeare's love, the addressee.
Sonnet 46 is an English or Shakespearean sonnet, composed of three quatrains followed by a final rhyming couplet, written in a type of metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions.
The poems in The Passionate Pilgrim were reprinted in John Benson's 1640 edition of Shakespeare's Poems, along with the Sonnets, A Lover's Complaint, The Phoenix and the Turtle, and other pieces. Thereafter the anthology was included in collections of Shakespeare's poems, in Bernard Lintott's 1709 edition and subsequent editions.
The OED cites Shakespeare for its first use of the noun, critic, in the 1598 quarto of Loves Labours Lost. However, a double check using the Early English Books Online database will reveal 'critic' entering the language in the 1590s, from 1591, 'a certaine suspicious and suspected Criticke, emulous of his betters credite', and pushed into ...
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