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Draft for a minuet for wind orchestra, first published 1956 (as piano piece) [5] Minuet No. 2 (D. 2D) Menuetto F major [4] 1811 2D/2 [995] Draft for a minuet for wind orchestra, first published 1956 (as piano piece) [5] Fugue same . D minor 1811 1813 (?) [6] 13 Allegro maestoso Andante same . C major 9 Sep 1812 [7] 29
Op. 1 Two Pieces for piano (1867) Scherzo à la russe in B ♭ major; Impromptu in E ♭ minor; Op. 2 Souvenir de Hapsal, 3 pieces for piano (1867) Op. 3 The Voyevoda, opera (1868) Op. 4 Valse-caprice in D major, for piano (1868) Op. 5 Romance in F minor, for piano (1868) Op. 6 6 Romances (1869), including "None but the lonely heart"
Concerto for Piano and Orchestra op.38 (1962) Nocturne for Piano (Homage to John Field), Op. 33 ... popular music, avant-garde procedures, and traditional Japanese ...
Op. 56, Studies in the Form of Canons for Organ or Pedal Piano (Etuden in kanonischer Form für Orgel oder Pedalklavier) (1845; also known in arrangements for piano trio) Op. 58, Sketches for Organ or Pedal Piano (Skizzen für Orgel oder Pedalklavier) (1845) Op. 60, 6 Fugues on B–A–C–H for organ or pedal piano (1845)
Except for a piano sonata written while he was a composition student and a second much later in his career, Tchaikovsky's solo piano works consist of character pieces. [67] While his best known set of these works is The Seasons , [ 68 ] the compositions in his last set, the Eighteen Pieces, Op. 72, are extremely varied and at times surprising.
Four Pieces (Prelude in D minor, Piano Piece in A-Flat Major, Oriental Sketch, Fragments) piano 1918: Paraphrase of John Stafford Smith: The Star-Spangled Banner: piano 1919: Cadenza for Liszt: Hungarian Rhapsody No. 2: piano 1921: Paraphrase of Kreisler: Liebesleid: piano 1923: Paraphrase of Mussorgsky: Gopak from The Fair at Sorochyntsi ...
Orchestral, piano arr. for 2pf as S.650 125 H 6 Piano Concerto No.2: pf orch A major 1849–61 Orchestral, piano based on S.524a; arr. for 2pf as S.651 125a Q 6 Piano Concerto [No.3] pf orch E ♭ major 1835–39 Orchestral, piano unfinished; performing version realized by Jay Rosenblatt 126i H 8 Totentanz: pf orch 1847–53 Orchestral, piano
Most composers of sets of 24 pieces have preferred E♭ minor over D# minor. Bach, Lyapunov and Ponce are among the few who have used D#. The first use of D# minor was in Bach's The Well-Tempered Clavier , in Fugue No. 8 from Book 1 (although its corresponding Prelude was written in E♭ minor), while D# minor was used for both the Prelude and ...
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