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Piano Sonata in B minor, S. 178 27 Debussy Prelude No. 8, La fille aux cheveux de lin ("The Girl with the Flaxen Hair") 26 Beethoven Sonata No. 32 in C minor, Op. 111 25 Schubert Impromptu No. 4 in A-flat major, D. 899/Op. 90 24 Bach, JS Jesu, Joy of Man's Desiring (piano transcription by Myra Hess) 23 Sinding Rustle of Spring: 22 Schubert
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios , Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [ 3 ]
Concerto for Piano and Orchestra op.38 (1962) Nocturne for Piano (Homage to John Field), Op. 33 ... popular music, avant-garde procedures, and traditional Japanese ...
Chopin at 25, by Maria Wodzińska, 1835. Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.
Chopin at 25, by Maria Wodzińska, 1835. Most of Frédéric Chopin's compositions were for solo piano, though he did compose several pieces for piano and orchestra (including two piano concertos) as well as some chamber works that include other instruments.
The popularity of the third movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous musical pieces of all time. [ 2 ] Background
All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. The list is based on lists of his works, such as in the 2001 biography by Eric Frederick Jensen. [1]
Numbering Systems of Piano Sonatas – the numbering of the piano sonatas as listed in the Breitkopf & Härtel and Wiener Urtext Editions, described above Version – the number of versions as it pertains to works that have more than one version of the same work/movement
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