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A Dolby noise-reduction system, or Dolby NR, is one of a series of noise reduction systems developed by Dolby Laboratories for use in analog audio tape recording. [1] The first was Dolby A, a professional broadband noise reduction system for recording studios that was first demonstrated in 1965, but the best-known is Dolby B (introduced in 1968), a sliding band system for the consumer market ...
Compression is used to improve performance and clarity in public address systems, as an effect and to improve consistency in mixing and mastering. It is used on voice to reduce sibilance and in broadcasting and advertising to make an audio program stand out. It is an integral technology in some noise reduction systems.
Dolby Stereo is a sound format made by Dolby Laboratories.It is a unified brand for two completely different basic systems: the Dolby SVA (stereo variable-area) 1976 system used with optical sound tracks on 35mm film, [1] and Dolby Stereo 70mm noise reduction on 6-channel magnetic soundtracks on 70mm prints.
There are many noise reduction algorithms in image processing. [35] In selecting a noise reduction algorithm, one must weigh several factors: the available computer power and time available: a digital camera must apply noise reduction in a fraction of a second using a tiny onboard CPU, while a desktop computer has much more power and time
A Polaris Ranger modified as an ambulance A Polaris Ranger patrols the Atlantic City Boardwalk under the authority of the Atlantic City Police Department. On May 21, 2010, Polaris announced that it was opening a new manufacturing plant in Mexico. The sister facility in Osceola, Wisconsin still remains in full operation.
The first product Dolby Labs produced was the Dolby 301 unit which incorporated Type A Dolby Noise Reduction, a compander-based noise reduction system. [9] These units were intended for use in professional recording studios. Dolby was persuaded by Henry Kloss of KLH to manufacture a consumer version of his noise reduction. Dolby worked more on ...
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Microphones, amplifiers and recording systems all add some electronic noise to the signals passing through them, generally described as hum, buzz or hiss. All buildings have low-level magnetic and electrostatic fields in and around them emanating from mains supply wiring, and these can induce hum into signal paths, typically 50 Hz or 60 Hz (depending on the country's electrical supply standard ...
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