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Puerto Rican singer Manny Manuel covered "Pero Qué Necesidad" on his debut studio album, El Rey de Corazónes (1994), as a merengue track. [26] [27] It was released as the album's lead single in 1994 by RMM Records. [27] Manuel's version peaked at number five on the Billboard Tropical Airplay chart. [28]
After a five-year hiatus, Furtado started teasing new music, including a collaboration with Colombian band Bomba Estéreo. [4] While recording new songs, she began performing at festivals, including Machaca Fest in Monterrey, Mexico, held on June 24, 2023, where she performed a short version of "Corazón", including only the first verse and the chorus. [5]
"Este Corazón" is a song recorded by Mexican pop group RBD. It was released as the fourth and last official single from their second studio album, Nuestro Amor (2005) and third radio single. The song was used as the second opening of the third season of the telenovela Rebelde. Despite having a Portuguese version, it was not released to radio ...
De mi corazón al aire is the first studio album of Vicente Amigo. Track listing ... "Callejón de la luna" – 5:55 "Morao" – 4:54 "Tío Arango" – 4:44; Musicians
"Por el Contrario" is a song by American singers Becky G and Ángela Aguilar, and Mexican singer Leonardo Aguilar, from the former's third studio album Esquinas (2023). [1] It was released via Kemosabe and RCA Records on December 13, 2023, as the fifth and final single from the album, due to its success and fan requests, promoted with a music ...
"No Pares" was a new song written by Thomas and performed by Dulce María. Thomas had previously contributed uncredited vocals on the band's first two Spanish albums, only using a pseudonym when co-writing the track "Liso, Sensual" from Nuestro Amor.
Un gancho al corazón (English title: A Blow to the Heart) [2] is a Mexican telenovela produced by Angelli Nesma Medina for Televisa that aired from August 25, 2008, to June 26, 2009.
"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]