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Jacinto Guerrero (16 August 1895 Ajofrín, Toledo, Spain – 15 September 1951 Madrid, Spain), was a prolific composer of zarzuelas and revues, as well as some orchestral compositions.
No. 1. Introduction and chorus. Una gitana vieja me dijo un día (Rosario, Socorro, Carmencilla, female chorus) No. 2. Duo. ¡Ay! Mare del alma mía, que güen porveni me espera (Rosario, Tarugo, with Socorro behind the scenes) No. 3. Duo. No te asustes tú, alma mía (Rosario, Pepe) No. 4 (a). Chorus: Va la tarde cayendo (male chorus, behind ...
Zarzuela [15] [12] Camoëns: drama lírico: 1: Marcos Zapata Mañas — 1879-02-24 [3] Zarzuela [4] [14] [12] Florinda: drama lírico-historico: 3 [n 3] Joaquín Jiménez Delgado — 1880-03-06 [3] Zarzuela [12] La mendiga del Manzanares: zarzuela: 3: Enrique Prieto, Andrés Ruesga — 1880-12-14 [3] Apolo [16] El alcaide de Toledo: drama ...
The musical heir of Chueca was José Serrano, whose short, one act género chico zarzuelas - notably La canción del olvido, Alma de dios and the much later Los claveles and La dolorosa - form a stylistic bridge to the more musically sophisticated zarzuelas of the 20th century.
Zarzuela is a lyric-dramatic art form which alternates between spoken and sung scenes. The latter incorporate both operatic arias and choruses and popular songs, as well as dance. The genre originated in Spain as a court entertainment in the 17th century and is still performed today, primarily in Spain, Latin America and the Philippines. The ...
Some of the best known zarzuelas are La virgen morena (Grenet), Nina Rita (Grenet and Lecuona), María la O, El batey, Rosa la China (all Lecuona); Gonzalo Roig with La Habana de noche; Rodrigo Prats with Amalia Batista and La perla del caribe; and above all, Cecilia Valdés (the musical of the most famous Cuban novel of the 19th century, with ...
After the war the love of zarzuela fell into a deep decline and although Alonso premiered Manuelita Rosas, and La Zapaterita focussing on operetta and musical comedy with which he had some success as Doña Mariquita de mi Corazón (1942), Luna de Miel en El Cairo (1943), Aquella Noche Azul and Tres Días Para Quererte, (both 1945).
José Tamayo (16 August 1920 – 26 March 2003) was a Spanish theatre director and producer, best known for his dramatic and zarzuela plays, epitomized by Antología de la Zarzuela (Zarzuela anthology). [1] Born in Granada, Spain in 1920, 24-year old Tamayo began his theatrical journey in 1944 as part of a university theater group in Granada.
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