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The Silver Kiss was inspired by Klause's poems and her teenage fantasy about romancing with a vampire. It is set in a suburban area near the east coast, in the late 80s and explores themes of belonging, death, and loss through the romance between a young woman—Zoë Sutcliff—and Simon, an English vampire who was turned since he was a ...
The Book of Nod is an epic poem written by Sam Chupp and Andrew Greenberg, published by White Wolf Publishing in 1993. [1] [2] [3] Based on the tabletop role-playing game Vampire: The Masquerade and the World of Darkness series, it tells the creation myth of vampires, following Caine, the first vampire and the biblical first murderer.
The poem was released by White Wolf Publishing in November 1998 in the form of a 123-page booklet, [3] [4] [10] and has also been published as an e-book. [11] The poem was followed by the Vampire: The Dark Ages book The Erciyes Fragments in 1999. [12] [13] A German translation of Revelations of the Dark Mother was published by Feder & Schwert ...
One of the first works of art to touch upon the subject is the short German poem The Vampire (1748) by Heinrich August Ossenfelder, where the theme already has strong erotic overtones: a man whose love is rejected by a respectable and pious maiden threatens to pay her a nightly visit, drink her blood by giving her the seductive kiss of the ...
It would seem probable that it belongs to the spring or early summer of 1798, and that it was anterior to Love, which was first published in The Morning Post on 21 December 1799, under the heading "Introduction to the Tale of the Dark Ladié". [1] If the MS. List of Poems is the record of poems actually written, two-thirds of the Dark Ladié ...
The story is important in the development and evolution of the vampire story in English literature as one of the first to feature the modern vampire as able to function in society in disguise. [2] The short story first appeared under the title "A Fragment" in the 1819 collection Mazeppa: A Poem, published by John Murray in London.
Sexual fluidity has been one of the hallmarks of vampiric portrayals throughout history. But lesbian vampires, in particular, have enjoyed a certain popularity.
Sonnet 127 of Shakespeare's sonnets (1609) is the first of the Dark Lady sequence (sonnets 127–152), called so because the poems make it clear that the speaker's mistress has black hair and eyes and dark skin. [2] In this poem the speaker finds himself attracted to a woman who is not beautiful in the conventional sense, and explains it by ...