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The second single from the album, "Que Seas Feliz", was released on 26 September 2004. [9] The single peaked at number three on the Billboard Hot Latin Songs chart and number nine on the Regional Mexican Songs chart. [10] [11] Its video, also filmed in Amatitán and directed by Torres, co-stars Mexican actress Yadhira Carrillo. [12] "
Velázquez with Pedro Vargas, c. 1950 s. Consuelo Velázquez Torres (August 21, 1916, in Ciudad Guzmán, Jalisco – January 22, 2005, [1] Mexico City), also popularly known as Consuelito Velázquez, [2] was a Mexican concert pianist and composer.
1 language. Español; Edit links. Article; Talk; ... Lo que son las cosas: Para Mí 2013: ... «Para que seas feliz» Music videos. Year Song
En Pleno Vuelo (Eng.: "In Full Flight") is the debut studio album by Marco Antonio Solís as a solo artist. It was released on July 24, 1996. [1] After 20 years of great success with the band Los Bukis, Solís began a solo career with this album release.
Que Seas Feliz (Top Stop 2012) Mis Mejores Recuerdos (Top Stop 2013) En Dos Idiomas (Tito Nieves Creations 2015) Canciones Que No Se Olvidan (Tito Nieves Creations 2017) Navidad A Mi Estillo (Tito Nieves Creations 2017) New Tradiciones (Bridge Music, District Eleven, Provident Distribution 2017) – track "Aires de Navidad" with Adrienne Houghton
Grandes Éxitos (English: "Greatest Hits") is a greatest hits album by Mexican singer Luis Miguel.Released on 22 November 2005 by Warner Music Latina, the album features 24 previously recorded songs from Miguel's career with his record label as well as two new songs ("Misterios del Amor" and "Si Te Perdiera"); both songs were released as singles from the album.
The year 1960 marked the beginning of a new era, with the appearance of the first nationwide rock and roll hits: "La hiedra venenosa" (a cover of The Coasters' "Poison Ivy") by Los Rebeldes del Rock, and "La plaga" (a cover of Little Richard's "Good Golly, Miss Molly") by Los Teen Tops, paving the way for rock and roll music (usually through ...
"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]