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This causes the glaze to have as much reduction as possible and can pull out vibrant flashes of color from the glaze and end with either a matte or glossy finish depending on the type of glaze used. Naked Raku is done by coating a section of the exterior of the piece with slip, taping off portions of the piece to leave parts of the body exposed ...
Sansai (三彩) is another type of technique using lead glaze. unglazed stoneware (焼き締め陶窓 yakishime tōki): fired at high temperatures without applying a coat of glaze. In the Middle Ages, it was used for living utensils such as vases, pots and other everyday items, and in the Azuchi-Momoyama period, it was modified for use in tea ...
White tenmoku Ofuke ware bowl, medium stoneware with rice-straw ash glaze, between 1700–1850 Edo period. Tenmoku (天目, also spelled "temmoku" and "temoku") is a type of glaze that originates in imitating Chinese Jian ware (建盏) of the southern Song dynasty (1127–1279), [1] original examples of which are also called tenmoku in Japan.
Horse hair vase. Horse hair raku is a method of decorating pottery through the application of horsehair and other dry carbonaceous material to the heated ware. The burning carbonaceous material creates smoke patterns and carbon trails on the surface of the heated ware that remain as decoration after the ware cools.
Oribe Black (Oribe-guro), early Edo period, c. 1620 Cornered bowl, Mino ware, Oribe type, early Edo period, 1600s. Oribe ware (also known as 織部焼 Oribe-yaki) is a style of Japanese pottery that first appeared in the sixteenth century.
Ash glaze was the first glaze used in East Asia, and contained only ash, clay, and water. [ 2 ] [ 3 ] One of the ceramic fluxes in ash glazes is calcium oxide (CaO), commonly known as quicklime, and most ash glazes are part of the lime glaze family, not all of which use ash.
Shino ware tea bowl furisode, Azuchi-Momoyama to Edo period, 16th-17th century Shino incense container (kogo) with sculpted figures of Jurojin with a crane and a tortoise in feldspar glaze by Masaki Sōzaburō, late Edo period, early 19th century Shino ware shallow bowl, Azuchi-Momoyama to Edo period, 16th-17th century Nezumi-Shino ware, square dish with autumn grasses design, Azuchi-Momoyama ...
Various images (flowers, plants, birds, mythological creatures, etc.) are painted onto the piece using an iron-based underglaze, then the piece is fired with a semitransparent gray glaze which allows the underglaze to show. This style is known for its earthy color and simple design. Korean Karatsu (朝鮮唐津, Chōsen Karatsu)