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Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
She taught art history courses at the American Embassy in Paris, 1981–85. Benton has presented subscription lecture series for the Smithsonian Associates in Washington, DC, 1988–today, and at the Metropolitan Museum of Art in New York every season 1988–2011.
In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, to important monasteries , as well ...
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By the mid-19th-century painters became liberated from the demands of their patronage to only depict scenes from religion, mythology, portraiture or history. The idea "art for art's sake" began to find expression in the work of painters like Francisco de Goya, John Constable, and J.M.W. Turner.
Art: A History of Painting, Sculpture, and Architecture is a two-volume collection of general art history written by Frederick Hartt. Volume I covers from the paleolithic cave paintings to late medieval art. Volume II starts at the Renaissance and ends with modern art. It was originally published in 1976 by Harry N. Abrams.
Erwin Panofsky (March 30, 1892, in Hannover – March 14, 1968, in Princeton, New Jersey) [1] was a German-Jewish art historian, whose academic career was pursued mostly in the U.S. after the rise of the Nazi regime.
Art history usually refers to the academic discipline covering the study of the history of the visual arts.Although ideas about the definition of art have changed over the years, the field of art history attempts to categorize changes in art throughout time and better understand how art shapes and is shaped by the outlooks and creative impulses of its practitioners.