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Dragon Tears is a 1993 paranormal/horror novel by the best selling author Dean Koontz.. The opening line sets the tone: "Tuesday was a fine California day, full of sunshine and promise, until Harry Lyon had to shoot someone at lunch."
"A Mouse in the Walls of the Global Village" (1972; in Again, Dangerous Visions; in the original Afterword, Koontz mentions having written Hung,"set in the hippie subculture of a small university", [4] which tried to show that Marshall McLuhan's concept of the global village was "on the right track" and that "our world was already being ...
Dean Ray Koontz (born July 9, 1945) is an American author. His novels are billed as suspense thrillers, but frequently incorporate elements of horror, fantasy, science fiction, mystery, and satire. Many of his books have appeared on The New York Times Best Seller list, with fourteen hardcovers and sixteen paperbacks reaching the number-one ...
Download as PDF; Printable version; In other projects Wikidata item; ... Dragon Tears, a novel by Dean Koontz; Tears of Dragon (용의 눈물) a South-Korean film.
Summary [ edit ] Timothy Carrier is an unassuming stonemason who, while having a beer at his regular bar, is accidentally mistaken for a hitman by a stranger who hands him an envelope containing $10,000 and a photo of the intended victim, a writer named Linda Paquette.
What: Bestselling author Dean Koontz joins the L.A. Times Book Club to discuss “The Bad Weather Friend” with Times assistant managing editor Samantha Melbourneweaver. When: 1 p.m. Pacific Jan. 28
The Book of Counted Sorrows and The Book of Counted Joys are fictional books "quoted" as the source of various epigraphs in many of Dean Koontz's books. The books as cited sources do not actually exist; they are false documents. Koontz has since released a book under the same title, collecting the various epigraphs and adding additional material.
Ticktock (1996) is a novel by Dean Koontz. It is significantly out-of-genre for Koontz: after a typical horror opening, the tone of the plot changes to screwball comedy [1] and the humour increases steadily to the end. The subplot of protagonist Tommy Phan's struggle to reconcile his family's tenacious hold on their Vietnamese roots with his ...