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The first electric golf cart was custom-made in 1932, but did not gain widespread acceptance. [3] In the 1930s until the 1950s the most widespread use of golf carts was for those with disabilities who could not walk far. [4] By the mid-1950s the golf cart had gained wide acceptance with US golfers. [5]
Gingger Shankar (10-string double violin, of The Smashing Pumpkins) John Sheahan (The Dubliners, folk) Ray Shulman (Gentle Giant) Rosemary Siemens (gospel, classical, pop, bluegrass) Antoine Silverman (bluegrass, jazz) Kyla-Rose Smith (Afropop, hip hop) Sophie Solomon (Oi Va Voi, klezmer, folk, rock) Eric Stanley (hip hop, pop, classical) Robby ...
A girl playing a violin in Dublin. Since the Baroque era, the violin (Baroque violin) has been one of the most important of all instruments in classical music, for several reasons. [1] The tone of the violin stands out above other instruments, making it appropriate for playing a melody line.
An E. H. Roth violin, Guarneri copy, Markneukirchen 1930 It was a policy of the Roth workshop in the days of Ernst Heinrich I to manufacture different grades of instruments for different budgets. For this reason, but also due to the size of the workshop's production and the many decades of its operation, the quality of Roth violins varies ...
Model C, or "binder" engine, patented in 1911, came as a 4 HP single cylinder as well as 8 HP, 15 HP, and 20 HP twin cylinder models. ... Golfster, golf cart 3-wheel ...
Jazz violin is the use of the violin or electric violin to improvise solo lines. Early jazz violinists included: Eddie South, who played violin with Jimmy Wade's Dixielanders in Chicago; Stuff Smith; and Claude "Fiddler" Williams. Joe Venuti was popular for his work with guitarist Eddie Lang during the 1920s.
A rare violin by Vuillaume (c. 1874, Paris) showcases inlaid ebony fleur-de-lys designs and is one of the last instruments to come out of Vuillaume's workshop, made a year before his death. Crafted for the famous violin dealer David Laurie , "Label reads: Jean Baptiste Vuillaume a Paris, 3 Rue Demour-Ternes, expres pour mon ami David Laurie ...
The down-bow is naturally stronger than the up thanks to the action of gravity, and this tendency is even more true with a Baroque bow, which is stiff towards the bottom and middle and weak towards the tip. In Romantic and later violin playing, this natural tendency is evened out as much as possible with the aim of producing clear melodic phrases.
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