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The DL4 by Line 6, introduced in 1999, is a digital delay pedal. It is one of the first digital modeling effects units. [1] The DL4 features models of 16 vintage delay effects, including the Echoplex, Roland Corporation's Space Echo, and the Electro-Harmonix Deluxe Memory Man. [2] It is also used for looping. [3]
In 2020 a reverb pedal created in collaboration with Chase Bliss was announced. [4] In 2022, Meris released the LVX, a modular delay system, allowing users to build their own delay effects, customizable with modulation, filtering, preamps, and effects. Along with additional effects, the user can route control signals to different parameters.
The pedal also features a rarity for an overdrive pedal: an effects loop, which allows a second pedal to be connected and activated at the same time—e.g., using the Guv'nor paired with a delay effect for solos. [61] Notable players include Gary Moore, with the pedal visible in artwork for his album Still Got the Blues. [62]
Delay effects: Boss DD-3 Digital Delay, MXR Carbon Copy, Electro-Harmonix Deluxe Memory Man, Line 6 DL4, Roland RE-201. Looper pedal: A looper pedal or "phrase looper" allows a performer to record and later replay a phrase, riff or passage from a song.
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
In the early '80s, Boss was able to fit the circuitry of its best-selling SDE-3000 digital rack delay into the form factor of its analog DM-2 delay, branded as the DD-2 digital delay. A subsequent drop in component costs allowed the pedal to be sold for a lower price in 1986 as the rebranded DD-3, which has gone through three distinct versions ...
These original pedals in the series included the Dyna Comp, Distortion +, Phaser, Stereo Chorus, Stereo Flanger and Time Delay. In late 1983 MXR announced a digital sound effects pedal generator simply known as the Junior. The Junior was released in early 1984 and was added to the other six pedals in the Series 2000 line.
Under the Damage Control name, the company's product line included several guitar preamps, distortions, multi-effects, [2] and delays which utilized tubes within the pedals themselves. A Strymon BigSky reverb pedal. The Strymon product line includes distortion, delay, [3] reverb, [4] chorus, [5] flanger, and compressor pedals for guitar. [6] [7]
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