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Hand percussion is a percussion instrument that is held in the hand. [1] They can be made from wood, metal or plastic, bottles stops and are usually shaken, scraped, or tapped with fingers or a stick. It includes all instruments that are not drums, or any instrument that is a pitched percussion instrument, such as the marimba or the xylophone.
hand percussion The toubeleki ( Greek : τουμπελέκι and τουμπερλέκι and ντουμπελέκι ), is a kind of a Greek traditional drum musical instrument . It is usually made from metal, open at its downside and covered with a skin stretched over it.
In practice, a player usually uses two pairs of castanets. One pair is held in each hand, with the string hooked over the thumb and the castanets resting on the palm with the fingers bent over to support the other side. Each pair will make a sound of a slightly different pitch. The slightly lower one usually marks the beat with joined fingers ...
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
The Moeller Method uses the whipping motion, described above, and applies it to the 4 basic strokes of drumming, the Full, Up, Down, and Tap strokes. [6] Using a combination of the basic strokes, in the whipping Moeller style it is possible to play extremely quickly with minimal effort, or to introduce a series of accents into a stream of notes with relative ease. [7]
The Eastern and North-African goblet drums are played under the arm or resting on the player's leg, with a much lighter touch and quite different strokes (sometimes including rolls or quick rhythms articulated with the fingertips) to hand drums such as the djembe, found in West Africa. There are two main types of goblet drums.
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Konnakol is the spoken component of solkattu, which refers to a combination of konnakol syllables spoken while simultaneously counting the tala (meter) with the hand. [1] It is comparable [ citation needed ] in some respects to bol in Hindustani music , but allows the composition, performance or communication of rhythms.