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Swan, inspiration for Saint-Saëns' piece Le cygne "Le cygne", pronounced [lə siɲ], or "The Swan", is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello ...
Two pianos and cello: a slowly moving cello melody (which evokes the swan elegantly gliding over the water) is played over rippling sixteenths in one piano and rolled chords in the other. A staple of the cello repertoire, this is one of the best-known movements of the suite, usually in the version for cello with solo piano which was the only ...
"Silver Swan Rag" was never copyrighted or published in Joplin's lifetime. Though two companies (QRS Music Roll Company and National) issued piano roll recordings of it in 1914, the piece was neglected for many years. Interest in Joplin's music revived in the 1960s.
The Swan is a 1920 play by Ferenc Molnár, adapted from the Hungarian language A hattyú by Melville Baker. It is a three-act comedy with three settings and fifteen characters. It is a three-act comedy with three settings and fifteen characters.
"The Silver Swan" is a madrigal by Orlando Gibbons (1583–1625) composed during the early Baroque period. Gibbons's best-known song and among the most admired English madrigals, it is scored for five voices— cantus , quintus , alto , tenor and bass .
The Swan of Tuonela (Tuonelan joutsen) is an 1895 tone poem by the Finnish composer Jean Sibelius. It is part of the Lemminkäinen Suite (Four Legends from the Kalevala), Op. 22, based on the Finnish mythological epic the Kalevala. [4] The Swan of Tuonela was originally composed in 1893 as the prelude to a projected opera called The Building of ...
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