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English: Le cygne from The Carnival of the Animals performed by Alisa Weilerstein and Jason Yoder at the White House Evening of Classical Music on November 4, 2009. Although originally scored for cello and piano, this is an arrangement of cello and marimba.
"Le cygne", pronounced [lə siɲ], or "The Swan", is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello solo.
The Carnival of the Animals (French: Le Carnaval des animaux) is a humorous musical suite of 14 movements, including "The Swan", by the French composer Camille Saint-Saëns. About 25 minutes in duration, it was written for private performance by two pianos and chamber ensemble; Saint-Saëns prohibited public performance of the work during his ...
Cover of piano score, 1899. Le Cygne (French pronunciation: [lə siɲ]) is a one-act ballet, with choreography by Mariquita, a scenario by Catulle Mendès, and music by Charles Lecocq. It was first staged at the Opéra-Comique, Paris on 20 April 1899. It is loosely based on the classical myth of Leda and the Swan.
The Dying Swan (originally The Swan) is a solo dance choreographed by Mikhail Fokine to Camille Saint-Saëns's Le Cygne from Le Carnaval des animaux as a pièce d'occasion for the ballerina Anna Pavlova, who performed it about 4,000 times.
So great was the composer's popularity as a composer of operétte that he felt obliged to use a pen-name ("Georges Stern") for his serious music such as his Miettes musicales, Op. 21 (Musical crumbs). [1] The 1870s were Lecocq's most fruitful decade. Sheet-music sales of arrangements from his operettas sold prodigiously. [12]
Selim Gustaf Adolf Palmgren (16 February 1878 – 13 December 1951 [1]) was a Finnish composer, pianist, and conductor.Palmgren was born in Pori, Finland, February 16, 1878.
Le funeste retour (Chanson de marin sur un texte canadien du XVIIè siècle), Op. 123 (1933) Liturgie comtadine: chants de Rosch Haschanah, 5 songs for voice and piano or chamber orchestra, Op. 125 (1933) 2 Chansons de Madame Bovary, Op. 128d (1933); words by Gustave Flaubert; Le cygne, Op. 142 (1935); 2 versions; words by Paul Claudel
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