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The Kinks, an English rock band, were active for over three decades, from 1963 to 1996, releasing 26 studio albums and four live albums. [1] The first two albums are differently released in the UK and the US, partly due to the difference in popularity of the extended play format (the UK market liked it, the US market did not, so US albums had the EP releases bundled onto them), and partly due ...
It should only contain pages that are The Kinks songs or lists of The Kinks songs, as well as subcategories containing those things (themselves set categories). Topics about The Kinks songs in general should be placed in relevant topic categories .
The second disc contains songs that either were released as B-sides or singles that did not chart in the UK and/or charted as singles in the North American and European markets, with the following exceptions: "Stop Your Sobbing" from the band's debut album and covered in 1979 as the debut single by The Pretenders; "Celluloid Heroes", taken from ...
They have two albums, The Kinks Are the Village Green Preservation Society (No. 384) [184] and Something Else by the Kinks (No. 478) [185], on Rolling Stone magazine's 2020 500 Greatest Albums of All Time list. They have three songs on the same magazine's 500 Greatest Songs of All Time list as updated in September 2021: "Waterloo Sunset" (No ...
Reprise Records released The Kinks Greatest Hits! in the US on 10 August 1966. [b] The band's first greatest hits album, [5] it mostly consists of singles issued by the group between 1964 and 1966, [6] ranging from "You Really Got Me" to "Dedicated Follower of Fashion", recorded in mid-July 1964 and February 1966, respectively.
State of Confusion is the twentieth studio album by the English rock group the Kinks, released in 1983.The record features the single "Come Dancing", which hit number 6 on the Billboard Hot 100 and was one of the band's biggest hit singles in the United States, equaling the 1965 peak of "Tired of Waiting for You".
The Kinks’ “Black Messiah” isn’t quite as problematic as certain infamous songs by John Lennon, Reed, or Patti Smith, but it’s a low point on Misfits, which otherwise features a nuanced ...
Most of the recordings date from a portion of the 1979-1980 American tour in support of the band's Low Budget album, hence the inclusion of six songs from that LP. Those songs were augmented by a selection of hits dating back to the band's formation in 1964.