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For example, when staccato marks are combined with a slur, the result is portato, also known as articulated legato. Tenuto markings under a slur are called (for bowed strings) hook bows. This name is also less commonly applied to staccato or martellato (martelé) markings.
In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo.However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash ...
The notation with dots under slurs is ambiguous, because it is also used for very different bowings, including staccato and flying spiccato. [1] [4] Currently, portato is sometimes indicated in words, by "mezzo-staccato" or "non-legato"; or can be shown by three graphic forms: a slur that encompasses a phrase of staccato notes (the most common), or
This piece is like a polka. The technique explored in this piece is the performance of off-beat staccato chords set against a regular on-beat bass. This is an example of syncopation. The left hand leaps intervals of up to a tenth (octave plus a third) between the bass and the lowest note of the following chord (and back): this requires a very ...
It lasts around six minutes. Its fame in part comes from its frequent use as recessional music at festive Christmas and wedding ceremonies. [1] The melody of Widor's Toccata is based upon an arrangement of rapid staccato arpeggios which form phrases, initially in F, moving in fifths through to C major, G major, etc. Each phrase consists of one bar.
In music, a stab is a single staccato note or chord that adds dramatic punctuation to a composition. Stabs may be provided by horns (real or synthesized)—a horn stab—or an orchestral sample—an orchestra hit—and usually occur on a 1-beat.
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An orchestra(l) hit or stab is an isolated staccato note or chord synthesized from the sounds of many orchestral instruments together. [1] The orchestra hit sound was propagated by the use of early samplers, particularly the Fairlight CMI's ORCH2 sample. [2]