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In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
His life's work, the four volume Social History of Art (1951), argued that art—which, after a paleolithic period of naturalism, began as "flat, symbolic, formalized, abstract and concerned with spiritual beings"—became more realistic and naturalistic as societies became less hierarchical and authoritarian, and more mercantile and bourgeois ...
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Sarah L. Thornton (born 1965) is a writer, ethnographer and sociologist of culture. [1] Thornton has authored four books and many articles about artists, the art market, bodies, people, culture, technology and design, the history of music technology, dance clubs, raves, cultural hierarchies, subcultures, [2] and ethnographic research methods.
Economic sociology attempts to explain economic phenomena. While overlapping with the general study of economics at times, economic sociology chiefly concentrates on the roles of social relations and institutions. [25] Boltanski, Luc, and Ève Chiapello. 2005. The New Spirit of Capitalism. [26] Boltanski, Luc, and Laurent Thévenot. 2006.
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Marta Mierendorff (1911-May 30, 2002) was a German typist, art sociologist, and researcher. [ 1 ] [ 2 ] She was a professor in the Department of German at the University of Southern California (USC).
Sociology of literature, film, and art is a subset of the sociology of culture. This field studies the social production of artistic objects and its social implications. A notable example is Pierre Bourdieu's Les Règles de L'Art: Genèse et Structure du Champ Littéraire (1992). [ 129 ]