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She used ancient techniques for making and firing pottery and used designs from "Old Hopi" pottery and shards found at 15th-century Sikyátki ruins on First Mesa. [6] Her artwork is in collections in the United States and Europe, including many museums like the National Museum of American Art , Museum of Northern Arizona , Spurlock Museum , and ...
Ida Redbird (Maricopa, 1892–1971) was a Native American potter from the Gila River Indian Community of the Gila River Indian Reservation in Arizona. She was the first president of the Maricopa Pottery Maker's Association and was widely credited with the revival of ancient Maricopa pottery techniques and forms. Her polished black-on-redware ...
The Maricopa are known for their basket weaving and textiles, [1] in particular, for their highly burnished red-on-redware pottery. Their traditional pottery practices enjoyed a revival from 1937 to 1940. Elizabeth Hart, a US Home Extension Agent, worked with a leading Maricopa potter, Ida Redbird, to form the Maricopa Pottery Cooperative.
Dextra Quotskuyva Nampeyo (September 6, 1928 – February 2019) was a Native American potter and artist. She was in the fifth generation of a distinguished ancestral line of Hopi potters. In 1994 Dextra Quotskuyva was proclaimed an "Arizona Living Treasure," and in 1998 she received the first Arizona State Museum Lifetime Achievement Award. [1]
Durand was part of a 1974 Smithsonian Institution exhibition, representing the Picuris Pueblo pottery tradition. [1] She also exhibited at the Bond House Museum and Cultural Center in 1987. [ 7 ] Durand's pottery was featured at the Arizona State Museum's 1994 American Indian Pottery Fair. [ 8 ]
Harries and Heder sought inspiration by biking through the neighborhoods beside the freeway and speaking with residents. They were intrigued by the sight of pots displayed on living room shelves during their visits, and were also aware of the history of the Native American pottery in the Southwestern United States. [9] [10]
Nampeyo, two birds design. Late pot, probably painted by Fannie circa 1920s. Woolaroc collection.. Fannie Nampeyo (1900–1987) (also known as Fannie Lesou Polacca and Fannie Nampeyo Polacca) was a modern and contemporary fine arts potter, who carried on the traditions of her famous mother, Nampeyo of Hano, the grand matriarch of modern Hopi pottery.
Prior to contact, pottery was usually open-air fired or pit fired; precontact Indigenous peoples of Mexico used kilns extensively. Today many Native American ceramic artists use kilns. In pit-firing, the pot is placed in a shallow pit dug into the earth along with other unfired pottery, covered with wood and brush, or dung, then set on fire ...
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