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Illustration for Longfellow's poem "Excelsior" from an 1846 collection. The poem was included in Ballads and Other Poems (1842), which also included other well-known poems such as "The Wreck of the Hesperus" "Excelsior" is a short poem written in 1841 by American poet Henry Wadsworth Longfellow.
Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
Orson Welles read the poem on an episode of The Radio Reader's Digest (11 October 1942), [9] [10] Command Performance (21 December 1943), [11] and The Orson Welles Almanac (31 May 1944). [12] High Flight has been a favourite poem amongst both aviators and astronauts. It is the official poem of the Royal Canadian Air Force and the Royal Air Force.
Kansas native Clare Harner (1909–1977) first published "Immortality" in the December 1934 issue of poetry magazine The Gypsy [1] and was reprinted in their February 1935 issue. It was written shortly after the sudden death of her brother. Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri.
In addition to its inclusion among the many translations of Catullus' collected poems, Catullus 101 is featured in Nox (2010), a book by Canadian poet and classicist Anne Carson that comes in an accordion format within a box. Nox concerns the death of Carson's own brother, to which the poem of Catullus offers a parallel. Carson provides the ...
In some cases, the poetry also took the form of a list (e.g. a list of different famous people appears within the poem). Although the list is not technically a form of genre, it is a common medieval literary convention. Several themes appear in timor mortis poetry which are also frequently found in other medieval poems on the subject of death ...
Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712". The poet's persona speaks about Death and Afterlife, the peace that comes along with it without haste.
During the 1970s he was a central figure among African-American poets, encouraging interest in Africa as well as the practice of poetry as a performance art; he was well known for his readings in New York City jazz clubs. Kgositsile was one of the first to bridge the gap between African poetry and African-American poetry in the United States.