Search results
Results from the WOW.Com Content Network
The Blue Marble is a photograph of Earth taken on December 7, 1972, by either Ron Evans or Harrison Schmitt aboard the Apollo 17 spacecraft on its way to the Moon.Viewed from around 29,400 km (18,300 mi) from Earth's surface, [1] a cropped and rotated version has become one of the most reproduced images in history.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Each contained extensive scientific and practical information on anamorphic imagery. In Niceron's work, three types of large-scale anamorphism are explained: 'optical' (looking horizontally); 'anoptric' (looking upwards); and 'catoptric' (looking down i.e. from a mezzanine). A conical perspective is also described.
Many diorama effect photographs are taken from a high angle to simulate the effect of looking down on a miniature. Tilt–shift photography is also associated with miniature faking. For video sequences, a way of strengthening the miniature impression is to run the video at higher speed than it was recorded.
The search engine that helps you find exactly what you're looking for. Find the most relevant information, video, images, and answers from all across the Web.
An autostereogram is a single-image stereogram (SIS), designed to create the visual illusion of a three-dimensional (3D) scene from a two-dimensional image in the human brain. An ASCII stereogram is an image that is formed using characters on a keyboard. Magic Eye is an autostereogram book series. Barberpole illusion
The two upside-down images both appear superficially correct as faces. When these images are rotated, however, it becomes clear that the face on the right had its eyes and mouth inverted. The Thatcher effect or Thatcher illusion is a phenomenon where it becomes more difficult to detect local feature changes in an upside-down face, despite ...
Looking Down the Yosemite Valley, California is an 1865 painting by the German-American painter Albert Bierstadt (1830–1902). [1]It was Bierstadt's first large-scale Yosemite picture, a subject for which he would become well known.