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Ye Choirs of New Jerusalem! To sweet new strains attune your theme; The while we keep, from care releas'd, With sober joy our Paschal Feast: When Christ, Who spake the Dragon's doom, Rose, Victor-Lion, from the Tomb: That while with living voice He cries, The dead of other years might rise. Engorg'd in former years, their prey
The three verses of the song describe in turn, a crowd cheering Jesus Christ's triumphal entry into Jerusalem on Palm Sunday, Jesus's crucifixion on Good Friday, and the eventual "New Jerusalem" (Zion) of universal peace and brotherhood, which is foretold in Isaiah 2:4 [2] and Isaiah 11:6-9. [3]
The New Jerusalem is not limited to eschatology, however. Many Christians view the New Jerusalem as a current reality, that the New Jerusalem is the consummation of the Body of Christ, the Church and that Christians already take part in membership of both the heavenly Jerusalem and the earthly Church in a kind of dual citizenship. [19]
L'Shana Haba'ah B'Yerushalayim (Hebrew: לְשָׁנָה הַבָּאָה בִּירוּשָלָיִם), lit."Next year in Jerusalem", is a phrase that is often sung at the end of the Passover Seder and at the end of the Ne'ila service on Yom Kippur.
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This new understanding began the second coming of Christ which is continually being manifested in spirit and truth rather than a physical appearance. [1] The Swedenborgian Church of North America does not make any statements as to the exact authority of Swedenborg's writings on the Bible or to the correctness of either.
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The New Jerusalem is a work for brass band by the British composer Philip Wilby. It was commissioned by the National Youth Brass Band of Great Britain, and first performed by them at City Hall, Salisbury in April 1990. [1] The work was composed during the collapse of the Eastern Bloc.