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The Schola Cantorum was the trained papal choir during the Middle Ages, specializing in the performance of plainchant for the purpose of rendering the music in church. In the fourth century, Pope Sylvester I was said to have inaugurated the first Schola Cantorum, but it was Pope Gregory I who established the school on a firm basis and endowed it. [1]
A Companion to the Medieval Papacy: Growth of an Ideology and Institution (Brill, 2016) online; Moorhead, John. The Popes and the Church of Rome in Late Antiquity (Routledge, 2015) Noble, Thomas F.X. "The Papacy in the Eighth and Ninth Centuries". New Cambridge Medieval History, v. 2: c. 700–c.900, ed. Rosamund McKiterrick (Cambridge UP, 1995).
As the seat of the Papacy, the Vatican City and its predecessor, the Papal States, has played an important role in the development of Christian music. They perform chants of ancient origin, such as Gregorian chants, as well as modern polyphonic music. The papal choir is a well-known institution that dates back more than four hundred years ...
The Ambrosian hymns are a collection of early hymns of the Latin liturgical rites, whose core of four hymns were by Ambrose of Milan in the 4th century.. The hymns of this core were enriched with another eleven to form the Old Hymnal, which spread from the Ambrosian Rite of Milan throughout Lombard Italy, Visigothic Spain, Anglo-Saxon England and the Frankish Empire during the early medieval ...
The remains of what appears to be a medieval palace where popes lived before they made the Vatican their home have been excavated in Rome prior to renovations for the 2025 Catholic Holy Year, or ...
The songs were compulsory as Gregorian chant for the Roman church and largely replaced local vocal styles. In the style of the Gregorian chant emerged many new compositions that were increasingly melismatic. Their texts came from the Ordinary and the Proprium Missae, from antiphons for the worship service, and pieces from the Liturgy of the Hours.
Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina. It is his best-known mass, [ 1 ] [ 2 ] and is regarded as an archetypal example of the complex polyphony championed by Palestrina.
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.