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Sonata for Alto Saxophone and Piano, Op. 29 (1970)—Robert Muczynski [38] Variations on a Dorian Theme for alto saxophone and piano (1972)—Gordon Jacob; Four Moods for Alto Saxophone and Piano (1975)—Phil Woods; Sonata for Alto Saxophone and Piano (1979)—John Worley; Albanian Summer (1980)—Dave Smith; Divertimento (1982)—Charles ...
Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period. [4] [5] Gershwin had completed setting DuBose Heyward's poem to music by February 1934, and spent the next 20 months completing and orchestrating the score of the opera. [6]
Summertime: Willie Nelson Sings Gershwin is the 64th solo studio album by American singer-songwriter Willie Nelson. After being awarded the Gershwin Prize by the Library of Congress, Nelson recorded a set of pop standards written by George and Ira Gershwin. The recording of the album was produced by Buddy Cannon and Matt Rollings.
Oscar Peterson Plays the George Gershwin Songbook is a 1959 album by pianist Oscar Peterson of compositions written by George Gershwin. Peterson had recorded many of the pieces for his 1952 album Oscar Peterson Plays George Gershwin .
As with most saxophones, the alto's written range is B ♭ 3 to F 6 (or F ♯ 6), [1] with the higher altissimo register starting at F ♯ 6 (or G 6).The saxophone's altissimo register is more difficult to control than that of other woodwinds and is usually only expected from advanced players.
Sarah Vaughan Sings George Gershwin is a 1958 studio album by Sarah Vaughan, of the music of George Gershwin. [ 2 ] Vaughan released another all-Gershwin album, Gershwin Live! , in 1982.
The AllMusic review says, "The Modern Jazz Quartet is alive and well in this effort, thoroughly brewing with overbearing optimism. Lavish in orchestration, shining with dexterity, it is no wonder that it is rare to find such a group that can emulate George Gershwin's work with such spontaneity and prowess".
For You, For Me, For Evermore" is a song composed by George Gershwin, with lyrics by Ira Gershwin. Written around 1936-7, it was rediscovered by Ira Gershwin when he was preparing music for The Shocking Miss Pilgrim (1946), where it was introduced by Dick Haymes and Betty Grable .
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