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Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
"Be Still for the Presence of the Lord" is a contemporary hymn written by British songwriter David J. Evans in 1986. [1] Evans was involved in the charismatic movement but felt that some of its worship risked treating God in a trivial fashion. [ 2 ]
In the Baroque period, D major was regarded as "the key of glory"; [1] hence many trumpet concertos were in D major, such as those by Johann Friedrich Fasch, Gross, Molter (No. 2), Leopold Mozart, Telemann (No. 2), and Giuseppe Torelli. Many trumpet sonatas were in D major, too, such as those by Corelli, Petronio Franceschini, Purcell, and
It consists of two IV chord progressions, the second a whole step lower (A–E–G–D = I–V in A and I–V in G), giving it a sort of harmonic drive. There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay").
Piano Trio in D major (Sibelius) Piano Trio No. 38 (Haydn) Piano Trios, Op. 70 (Beethoven) Polonaise de Concert, Op. 4 (Wieniawski) Pomp and Circumstance Marches; Prelude and Fugue in D major, BWV 532; Prelude and Fugue in D major, BWV 874; Prelude in D major (Rachmaninoff) Prelude No. 5 (Villa-Lobos)
The Sonata in D major for piano four-hands, Op. 6, by Ludwig van Beethoven was published by Artaria in October 1797. It has two movements, and is used for teaching piano. [1] [2] [3] A musical pattern used at its beginning and ending is similar to a pattern used later by Beethoven in the Symphony No. 5. [3]
The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but expanding to harmony on the words "The Lord make His face to shine upon you".
Part II closes with the Hallelujah chorus which became famous as a stand-alone piece, set in the key of D major with trumpets and timpani. The choir introduces Hallelujah , repeated in homophony , in a characteristic simple motif for the word, playing with the interval of a second , which re-appears throughout the piece.
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