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The sack-back gown or robe à la française was a women's fashion of 18th century Europe. [1] At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court ...
The Infanta Margarita of Spain is shown here wearing a mourning dress of unrelieved black with long sleeves, cloak and hood. She wears her hair parted to one side and severely bound in braids, 1666. Two English ladies wear dresses with short sleeves over chemise sleeves gathered into three puffs. The long bodice front with curving bands of ...
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
Folk costumes for women in Liechtenstein correspond to the definition of a "dirndl" in English, although the local tracht association (Liechtensteinische Trachtenvereinigung) discourages the name "dirndl". The official national dress of Liechtenstein features a black skirt and a white blouse with crocheted and bobbin laced necklines and sleeves.
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
Bow Stud Earrings. The inspiration behind the coquette aesthetic’s pearl obsession: 19th-century Romanticism. Throughout the era, ribbons, intricately braided hairstyles, and pearl jewelry akin ...
Katharina von Bora wears a front-laced grayish gown with black trim. She wears a white partlet edged in black, and her hair is confined in a net or snood, 1526. Princess Sibylle von Cleves as a bride wears a tight-waisted gown with slashed and puffed sleeves over a high-necked chemise with a wide band at the neck. Her loose hair and the jeweled ...
Younger women also wore light or bright colors, but the preference was for solid-colored or floral silks with ornamentation. Gradually, trim in the form of applied lace and fabric robings (strips of ruched, gathered or pleated fabric) replaced the plain style. Ribbon bows, lacing, and rosettes became popular, as did boldly patterned fabrics.
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