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Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The characteristic garment of the period was the ruff , which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or ...
Comtesse de Mailly, 1698, wears court fashion: Her mantua has elbow-length cuffed sleeves over the lace-ruffled sleeves of her chemise. The trained skirt is looped back to reveal a petticoat. She wears elbow-length gloves and a cap with a high lace fontange. She has a fur muff on her right wrist, trimmed with a ribbon bow, and carries a fan.
Her tight sleeves have pronounced shoulder wings and deep lace cuffs. English court costume, 1616 Henrietta Maria, wife of Charles I of England, wears a closed satin high-waisted bodice with tabbed skirts and open three-quarter sleeves over full chemise sleeves. She wears a ribbon sash. C. 1632–1635.
Even the clothes women would ride horses in received these sorts of embellishments. [5] Croquet players of 1864 loop their skirts up from floor-length over hooped petticoats. Small hats with ribbon streamers were very popular for young women in the mid-1860s. Day dresses featured wide pagoda sleeves worn over undersleeves or engageantes.
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Princess di Sant' Antimo's gown of watered silk shows the short sleeves, lace flounce collar, and long pointed waist of the early 1840s. The tiny pleats that gather her skirt can be seen at the waistline. 1840–1844. Shoulders were narrow and sloping, waists became low and pointed, and sleeve detail migrated from the elbow to the wrists.
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