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  2. Photographic lens design - Wikipedia

    en.wikipedia.org/wiki/Photographic_lens_design

    Zeiss' innovative photographic lens design was due to Dr Paul Rudolph. In 1890, Rudolph designed an asymmetrical lens with a cemented group at each side of the diaphragm, and appropriately named "Anastigmat". This lens was made in three series: Series III, IV and V, with maximum apertures of f/7.2, f/12.5, and f/18 respectively.

  3. History of photographic lens design - Wikipedia

    en.wikipedia.org/wiki/History_of_photographic...

    A typical uncoated high-speed motion picture anastigmat lens, such as the Astro Pan-Tachar, suffered light losses in excess of 41 percent due to reflections from the eight air-to-glass surfaces comprising its lens formula." [207] Due to the effective increase in light transmission of 1 stop, f /2.3 lenses could replace f /1.6 lenses, giving the ...

  4. Fisheye lens - Wikipedia

    en.wikipedia.org/wiki/Fisheye_lens

    Var. elements in Var. groups. A fisheye lens is an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. [ 4 ][ 5 ]: 145 Fisheye lenses achieve extremely wide angles of view, well beyond any rectilinear lens. Instead of producing images with straight lines of perspective ...

  5. Tessar - Wikipedia

    en.wikipedia.org/wiki/Tessar

    Tessar. The Tessar is a photographic lens design conceived by the German physicist Dr. Paul Rudolph in 1902 while he worked at the Zeiss optical company and patented by Zeiss in Germany; the lens type is usually known as the Zeiss Tessar. Since its introduction, millions of Tessar and Tessar -derived lenses have been manufactured by Zeiss and ...

  6. Lenses for SLR and DSLR cameras - Wikipedia

    en.wikipedia.org/wiki/Lenses_for_SLR_and_DSLR...

    A "slow" lens (one that is not capable of passing a lot of light through) might have a maximum aperture from 5.6 to 11, while a "fast" lens (one that can pass more light through) might have a maximum aperture from 1 to 4. Fast lenses are, by definition, larger than slow lenses (for comparable focal length), and typically cost more. [2]

  7. Carl Zeiss Planar 50mm f/0.7 - Wikipedia

    en.wikipedia.org/wiki/Carl_Zeiss_Planar_50mm_f/0.7

    The Carl Zeiss Planar 50mm f/0.7 is one of the largest relative aperture (fastest) lenses in the history of photography. [1] The lens was designed and made specifically for the NASA Apollo lunar program to capture the far side of the Moon in 1966. [2][3][better source needed][4] Stanley Kubrick used these lenses when shooting his film Barry ...

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