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A slip inside the punthi reveals that it was initially preserved in the royal library of Bishnupur under the name of Sri Krishna Sandarva. However, the punthi, edited and rechristened as Shreekrishna Kirtana by Bidvatballava, was published by Vangiya Sahitya Parishad in 1916.
Bhagavat-sandarbha distinguishes the impersonal aspect of Godhead , the localized form of God within the heart of each living being , and the highest personal aspect of Godhead (Krishna or Bhagavan). Describes the spiritual realm of Krishna, the modes of material nature, the mode of pure goodness ( visuddha-sattva ), the importance of ...
When we compare the biography of Krishna, the account of Raji, and some other episodes as depicted in the Harivaṃśa, it appears to be anterior to the former. Therefore, the Viṣṇu parva and the Bhaviṣya parva can be dated to at least the 3rd century CE.
Krishnaism is a term used in scholarly circles to describe large group of independent Hindu traditions—sampradayas related to Vaishnavism—that center on the devotion to Krishna as Svayam Bhagavan, Ishvara, Para Brahman, who is the source of all reality, not simply an avatar of Vishnu.
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
When Krishna wants to re-establish ashram, Rakshasas attack on him but save by Jabali. Krishna went to Hastinapur to meet king Shantanu to re-establish the glory of Dharmakshetra. In Hastinapur, Krishna discovers his mother as queen Satyavati. Krishna convinces Vibhuti, Shotriya of Hastinapur to join Vajapeya Yagna. Dharmakshetra is re-established.
Krishnanattam. Krishnanattam (IAST: Kṛṣṇanāṭṭaṃ) is a temple art in Kerala, India.It is a dance drama and presents the story of Krishna in a series of eight plays and was created by Manaveda (1585–1658 AD), the then Zamorin Raja of Calicut in northern Kerala. [1]
Sri Radha Raman Temple, is a Hindu temple situated in Vrindavan, India.It is dedicated to Krishna who is worshiped as Radha Ramana.This temple is counted as one of the Seven most revered ancient temples of Vrindavan along with Radha Vallabh Temple, Radha Damodar Temple, Radha Madanmohan Temple, Radha Govindji Temple, Radha Shyamsundar Temple and Radha Gokulnandan Temple.