Search results
Results from the WOW.Com Content Network
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Traditionally, women would do the weaving at home, in between their chores, to contribute to the family income. By the latter half of the Edo period (1603–1867), Ōshima-tsumugi had become a specialty of Amami Oshima and, like sugarcane, islanders had to supply the fabric to the Satsuma domain in lieu of tax. This ended in 1879, when Amami ...
Satsuma ware Yabu Meizan ( Japanese : 藪 明山 , birth name Yabu Masashichi ( 藪 政七 ), [ 1 ] January 20, 1853 – 1934) was a Japanese artist and workshop owner known for painting on porcelain.
Satsuma ware was a name originally given to pottery from Satsuma province, elaborately decorated with overglaze enamels and gilding. These wares were highly praised in the West. Seen in the West as distinctively Japanese, this style actually owed a lot to imported pigments and Western influences, and had been created with export in mind. [22]
The following other wikis use this file: Usage on arz.wikipedia.org ساتسوما; Usage on eo.wikipedia.org Sacumo (Kagoŝimo) Usage on es.wikipedia.org
Tadayuki gained a position of primacy in Satsuma, due to his status as the lord's father. He returned to the main Shimazu house in 1861, and it was then that he changed his name to Hisamitsu. In 1862, Hisamitsu went to Kyoto, and took part in the increasingly Kyoto-centered politics of the 1860s; he was a part of the kōbu-gattai political faction.
Peel potatoes, rinse then slice into 1/4" rounds. Place in a pot, cover with water then allow to soften; approximately 15-20 minutes. Heat oil in a large frying pan then add onions. Drain potatoes ...
He moved to the Kantō at the invitation of Umeda Hannosuke, a Tokyo merchant who was interested in exporting Satsuma ware. The deal involved Suzuki Yasubei, brother-in-law to Umeda, on the business side, and Suzuki helped finance the kiln. After a serious fire in 1876, Kōzan rebuilt out of his own pocket, freeing himself from the partnership.