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Blue glazes were first developed by ancient Mesopotamians to imitate lapis lazuli, which was a highly prized stone. Later, a cobalt blue glaze became popular in Islamic pottery during the Abbasid Caliphate, during which time the cobalt was mined near Kashan, Oman, and Northern Hejaz. [4] [5]
Blue Pottery Exhibit, Jaipur School of Art, Albert Hall Museum Famous Raja Rani (King Queen) Vase of Jaipur School, Albert Hall Museum The use of blue glaze on pottery is an imported technique, first developed by Mongol artisans who combined Chinese glazing technology with Persian decorative arts.
Westerwald pottery, or Westerwald stoneware, is a distinctive type of salt glazed grey pottery from the Höhr-Grenzhausen and Ransbach-Baumbach area of Westerwaldkreis in Rheinland-Pfalz, Germany. Typically, Westerwald pottery is decorated with cobalt blue painted designs, although some later examples are white.
The pottery was painted with pigments that had been mixed with glass frit and ground in a wet quern. For some designs the outlines were pounced through a stencil. [35] In the early period only cobalt blue was used for decoration. The cobalt ore was probably obtained from the village of Qamsar near the town of Kashan in central Iran. [36]
American Stoneware is a type of stoneware pottery popular in 19th century North America. The predominant houseware of the era, [citation needed] it was usually covered in a salt glaze and often decorated using cobalt oxide to produce bright blue decoration.
The cobalt was ground and mixed with a medium, then painted onto the dried bodies of the pots, which were then glazed and fired. At a later date a source of cobalt was found within China; this differed from the Persian ore in the proportion of associated manganese. The colour on the fired pots was a grey-blue rather than a pure blue.
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