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Modern changes to interventive policies in the 1970's and onwards have spurred conservation specialists to maintain works of art and their original materials when possible. [8] In his work detailing the changes in lining techniques, Paul Ackroyd notes that "lining is no longer considered as an inevitable occurrence and is a less favored option ...
Conservation treatments can take the form of adhering a lining to the canvas with wax-resin to the reverse side, replacing the painting's original stretcher, and varnishing the painting. In Jackson Pollock's Echo, solvents were used to remove a thin layer of the canvas to even out the work's coloring. [32]
Over time, the optical density, color balance, lustre, and other qualities of a print will degrade. The rate at which deterioration occurs depends primarily on two main factors: the print itself, that is, the colorants used to form the image and the medium on which image resides, and the type of environment the print is exposed to.
With paintings, a variety of organic solvents are used, but the most common solvent is water, often with chelating agents, surfactants or salts to control pH. Applying solutions through tissues, gels and sponges is becoming the norm, due to the level of control offered by holding the cleaning system at the upper surface of the art.
Prints are generally sold as limited editions, with a print being cheaper than a drawing or painting because the artist/gallery makes more money by selling multiples. An artist's proof has special value because of its extra rarity and its possible differences from the "standard" print, factors that are often reflected in its price.
A print that copies another work of art, especially a painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition. Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then ...
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The gelatin silver print is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography. As such, films and printing papers available for analog photography rarely rely on any other chemical process to record an image.
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