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Volume swells alter the tone of the note, reducing the treble tones of the attack and allowing the softer tone that follows to sustain. The technique is often executed using the guitar's volume knob. Beginning with the knob turned down to zero, it is increased when a note is played. The effect can also be performed by using a volume pedal.
The original "up to eleven" knobs in the 1984 film This Is Spinal Tap "Up to eleven", also phrased as "these go to eleven", is an idiom from popular culture, coined in the 1984 film This Is Spinal Tap, where guitarist Nigel Tufnel demonstrates a guitar amplifier whose volume knobs are marked from zero to eleven, instead of the usual zero to ten.
By rolling the volume knob, the guitar player can decrease the gain of the pedal and get a clean or crunch sound, while still having all the gain when the volume knob is on maximum. [ clarification needed ] For the same reason, Fuzz Face pedals react differently when placed directly after the guitar than when after other pedals or after a ...
A Line 6 modeling amplifier shown from above. Note the various amplifier and speaker emulations selectable via the rotary knob on the left. Guitar amp modeling devices and software can reproduce various guitar-specific distortion qualities that are associated with a range of popular "stomp box" pedals and amplifiers.
A diagram showing the wiring of a Gibson Les Paul electric guitar. Shown are the humbucker pickups with individual tone and volume controls (T and V, respectively), 3-way pickup selector switch, tone capacitors that form a passive low-pass filter, the output jack and connections between those components. The top right shows a modification that ...
Arbiter Electronics released the first Fuzz Face in 1969, featuring a unique round metal housing inspired by a microphone stand and with the arrangement of volume knob, distortion knob, and logo intentionally resembling a face. The Fuzz Face's first production run lasted until 1976/77, then was reissued from 1986 until 1990.
Most SG Specials (like their Standard counterpart) have a volume and tone knob for each pickup and a 3-way selector switch. From 1983 to 1988, a simpler three-knob model was produced. Gibson has reduced cost further with the faded series, which has a rougher and less finished stained body.
The knob is a potentiometer wired in as a variable resistor between the neck pickup and the neck pickup's volume knob. [8] Since it is only wired into the neck pickup side and not in the circuit of the bridge pickup, it only affects the volume of the neck pickup in both the neck and middle switch positions and has no effect in the bridge position.
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