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Volume swells alter the tone of the note, reducing the treble tones of the attack and allowing the softer tone that follows to sustain. The technique is often executed using the guitar's volume knob. Beginning with the knob turned down to zero, it is increased when a note is played. The effect can also be performed by using a volume pedal.
The original "up to eleven" knobs in the 1984 film This Is Spinal Tap "Up to eleven", also phrased as "these go to eleven", is an idiom from popular culture, coined in the 1984 film This Is Spinal Tap, where guitarist Nigel Tufnel demonstrates a guitar amplifier whose volume knobs are marked from zero to eleven, instead of the usual zero to ten.
By rolling the volume knob, the guitar player can decrease the gain of the pedal and get a clean or crunch sound, while still having all the gain when the volume knob is on maximum. [ clarification needed ] For the same reason, Fuzz Face pedals react differently when placed directly after the guitar than when after other pedals or after a ...
Most SG Specials (like their Standard counterpart) have a volume and tone knob for each pickup and a 3-way selector switch. From 1983 to 1988, a simpler three-knob model was produced. Gibson has reduced cost further with the faded series, which has a rougher and less finished stained body.
1958 Epiphone Sheraton introduction specs: Thin body, double cutaway, semi-hollow with solid maple block down center; two Epiphone "New York" single coil pickups; two volume and two tone controls with white 'carousel' knobs, and a pickup selector switch; tune-o-matic bridge with no retainer wire; gold plated metal parts; Frequensator tailpiece ...
The guitarist adjusts the tension of the various strings using the knobs so that they are correctly tuned: a higher tension yields a sharper pitch, a lower tension a flatter pitch. Typical tensions for steel-string acoustic guitars with "light" tension strings are 10.5 kgf (23.3 lbf , 103 N ) to 13.8 kgf (30.2 lbf, 135 N).
The knob is a potentiometer wired in as a variable resistor between the neck pickup and the neck pickup's volume knob. [8] Since it is only wired into the neck pickup side and not in the circuit of the bridge pickup, it only affects the volume of the neck pickup in both the neck and middle switch positions and has no effect in the bridge position.
At the same time of the Melody Maker, Gibson's sister brand Epiphone made a version of the guitar named the Olympic. Initially virtually identical to the double cut Melody Makers, these guitars eventually developed an asymmetrical body with a slightly larger upper horn with the Olympic Special, and a higher-end model which shared a body with the later Epiphone Coronet, Wilshire, and Crestwoods ...
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