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Slaughter of the suitors by Odysseus and Telemachus, Campanian red-figure bell-krater, ca. 330 BC, Louvre (CA 7124) In Homer's Odyssey, Telemachus, under the instructions of Athena (who accompanies him during the quest), spends the first four books trying to gain knowledge of his father, Odysseus, who left for Troy when Telemachus was still an infant.
A mosaic depicting Odysseus, from the villa of La Olmeda, Pedrosa de la Vega, Spain, late 4th–5th centuries AD. The Odyssey begins after the end of the ten-year Trojan War (the subject of the Iliad), from which Odysseus (also known by the Latin variant Ulysses), king of Ithaca, has still not returned because he angered Poseidon, the god of the sea.
Odysseus, however, does not directly appear in the narrative until Book 5. Instead, the Telemachy ' s subject is the effect of Odysseus' absence on his family, Telemachus in particular. The first four books of the Odyssey give the reader a glimpse of the goings-on at the palace in Ithaca. There are a multitude of suitors vying for Penelope's ...
His wife, Penelope, and their son, Telemachus, struggle to maintain order back home, where a handful of suitors compete for Penelope's affection, under the assumption that Odysseus is dead ...
The suitors behave badly in Odysseus' home, drinking his wine and eating his food. Odysseus' son, Telemachus, now a young man, is frustrated with the suitors. Telemachus laments to Athena (disguised as Mentes, one of Odysseus' guest-friends) about the suitors' behavior. In return, Athena urges Telemachus to stand up to the suitors and set out ...
Major characters include Odysseus himself, the legendarily cunning hero, as well as his son Telemachus, the beguiling witch Circe, the monstrous one-eyed cyclops, and Poseidon, the sea god who ...
It tells the 10-year journey story of Odysseus, king of Ithaca, as he travels home after the Trojan War. Along the way, he encounters multiple perils and discovers the death of his crewmates.
[32] [33] Bérard's theory that The Odyssey had Semitic roots accords with Joyce's reincarnation of Odysseus as the Jewish Leopold Bloom. [34] Ezra Pound regarded the Homeric correspondences as "a scaffold, a means of construction, justified by the result, and justifiable by it only. The result is a triumph in form, in balance, a main schema ...