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A slipware cider flagon by Michael Cardew, made at the Winchcombe Pottery c.1935. Michael Ambrose Cardew CBE (1901–1983), was an English studio potter who worked in West Africa for twenty years. Early life
The ideal of this movement was the anonymous craftsman who quickly and dynamically produces ceramics for everyday use and in this way creates art without aiming to do so. Consequently, Batterham refrained from signing his vessels. He himself saw his work primarily in the tradition of Michael Cardew, the first apprentice of Bernard Leach. [8]
Bernard Leach is credited with restarting craftsman pottery in Britain in 1920. One of his early students was Michael Cardew who, at 25, was looking for a suitable site for his own pottery and in 1926 rented the old pottery buildings. [3] Influencing his choice were the availability of local clay and the original bottle kiln. Cardew recruited ...
In 1926 Michael Cardew had founded Greet Potteries at Winchcombe, Gloucestershire, where he made pottery in the English slipware tradition, functional and affordable, and fired in a traditional bottle kiln. In 1935 Finch came to Gloucestershire and asked Cardew whether he could join the pottery.
In 1924, Pleydell-Bouverie was taken on by Bernard Leach at his pottery in St. Ives. She remained at the Leach Pottery for a year and learnt alongside Michael Cardew, Shoji Hamada and Tsuronosuke Matsubayashi (known as Matsu). She did the necessary odd jobs at the pottery whilst observing technical lectures from Matsu and was soon given the ...
Seth Cardew plate A Blue Seth Cardew Plate Wenford Bridge Pottery. Seth Cardew (11 November 1934 – 2 February 2016) [1] was an English studio potter. He was the eldest son of fellow potter Michael Cardew [2] and the brother of the composer Cornelius Cardew. Cardew was born in Winchcombe, Gloucestershire.
Coxwold pottery also featured in exhibitions across the UK and abroad, for example the Craft Council Domestic Pottery year-long touring exhibition round the UK, which then toured in France. Another exhibition which included examples of Peter Dick's work was 'Michael Cardew and Pupils', held at York Art Gallery in 1983, this also toured in the UK.
Michael Cardew, who was appointed to the post of Pottery Officer in the Department of Commerce and Industry in the colonial Nigerian Government in 1951, established the Pottery Training Centre in Suleja (then called "Abuja") in April 1952. [8] In 1954, Ladi Kwali joined the Abuja Pottery as its first female potter. [9]
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