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Duo for soprano saxophone and alto saxophone (1981)—Gordon Jacob Quartet for flute, alto saxophone, guitar and solo percussion (1982)— Kalevi Aho Linker Augentanz (Left-Eye Dance) for 7 (or 11) saxophones, synthesizer and percussion (1983/90)— Karlheinz Stockhausen
Mule's lack of enthusiasm may have been partly because, in the original key of F major, the solo part extends into the altissimo register, with frequent occurrences of the (notated) high F ♯ and G. Mule owned a Selmer Mark VI soprano saxophone, which does not have the keywork required to quickly and easily play in this extended range. [8]
The Soprano Sax Concerto is a concerto for soprano saxophone and orchestra by the American composer Jennifer Higdon.The work was originally commissioned by the Minnesota Commissioning Club as Higdon's Oboe Concerto and was premiered by oboist Kathy Greenbank and the Saint Paul Chamber Orchestra in 2005.
Julian Smith, inspired by the work of Kenny G, placed third [6] on Britain's Got Talent in 2009, doing a solo performance in each of three appearances with a soprano saxophone. In some popular music interpretations, the soprano saxophone is commonly paired with FM-type electric piano and electronic drum sounds to create a smooth, R&B-like
As a longtime friend of Adolphe Sax, the inventor of the saxophone (they met as students at the Royal School of Music), he encouraged Sax to develop the four principal members of the saxophone family, and composed what is very likely the first work ever written for the saxophone quartet, his Premier Quatuor, Op. 53, completed in 1857. In ...
Saxophone Solos is a solo soprano saxophone album by Evan Parker. Three of the tracks were recorded live on June 17, 1975, at the Unity Theatre in London, and the remaining music was recorded on September 9, 1975 at the FMP Studio in Berlin. [ 1 ]
Lincolnshire Posy is a musical composition by Percy Grainger for concert band commissioned in 1937 by the American Bandmasters Association. [1] Considered by John Bird, the author of Grainger's biography, to be his masterpiece, the 16-minute-long work has six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England.
Nicholas Kenyon in his review of the Suite for Variety Orchestra No. 1's premiere for The Observer wrote that the music was "Shostakovich at his most unbuttoned and jovial": [16] The LSO played the Second Suite for Jazz Orchestra or Dance Band [sic] with its four blaring saxophones, accordion and guitar, as if to the manner born...
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