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The V-scale doesn't consider risk and is purely focused on the technical difficulty of the movements. [2] The V-scale is the dominant scale in North America, and it and the Font scale are the most dominant systems worldwide; beyond the easiest grades, the two systems can be almost exactly aligned in comparison tables. [2] [14]
Coltrane changes in C: I–V/ ♭ VI ♭ VI–V/III III–V I. 6: Major Eight-bar blues: I–V–IV–IV–I–V–I–V: 3: Major Folia: i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i: 4: Minor Irregular resolution (Type I: Two common tones, two note moves by half step motion) V7 ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Kansas City – Shawangunk Mountains – 1977 – Early female ascent of a 7b route, by Barbara Devine. [54] [94] Tales of Power – Yosemite Valley CA (US) – 1981 – Redpoint of a 7b route by Louise Shepherd [95] [96] 7a (5.11d): Foops – Shawangunk Mountains – 1976 – Early female ascent of a 7a route, by Barbara Devine. [97] [94]
The seventh scale degree is very often raised a half step to form a leading tone, making the dominant chord (V) a major chord (i.e. V major instead of v minor) and the subtonic chord (vii), a diminished chord (vii o, instead of ♭ VII). This version of minor scale is called the harmonic minor scale.
The Lydian scale can be described as a major scale with the fourth scale degree raised a semitone, making it an augmented fourth above the tonic; e.g., an F-major scale with a B ♮ rather than B ♭. That is, the Lydian mode has the following formula:
Chromatic circle diagrams of the four common ancohemitonic heptatonic scales. A heptatonic scale is a musical scale that has seven pitches, or tones, per octave. Examples include: the diatonic scale; including the major scale and its modes (notably the natural minor scale, or Aeolian mode)
The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.