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  2. Semiotics of photography - Wikipedia

    en.wikipedia.org/wiki/Semiotics_of_photography

    Semiotics of photography is the observation of symbolism used within photography or "reading" the picture. This article refers to realistic, unedited photographs not those that have been manipulated in any way. Roland Barthes was one of the first people to study the semiotics of images. He developed a way to understand the meaning of images.

  3. Photo psychology - Wikipedia

    en.wikipedia.org/wiki/Photo_Psychology

    Photo psychology or photopsychology is a specialty within psychology dedicated to identifying and analyzing relationships between psychology and photography. [1] Photopsychology traces several points of contact between photography and psychology.

  4. Signified and signifier - Wikipedia

    en.wikipedia.org/wiki/Signified_and_signifier

    Today, the signifier is often interpreted as the conceptual material form, i.e. something which can be seen, heard, touched, smelled or tasted; and the signified as the conceptual ideal form. [ 6 ] : 14 In other words, "contemporary commentators tend to describe the signifier as the form that the sign takes and the signified as the concept to ...

  5. Denotation (semiotics) - Wikipedia

    en.wikipedia.org/wiki/Denotation_(Semiotics)

    The distinction between denotation and connotation can be made in textual analysis and the existence of dictionaries is used to support the argument that the sign system begins with a simple meaning that is then glossed as new usages are developed.

  6. Semiotics - Wikipedia

    en.wikipedia.org/wiki/Semiotics

    Semiotics (/ ˌ s ɛ m i ˈ ɒ t ɪ k s / SEM-ee-OT-iks) is the systematic study of sign processes and the communication of meaning.In semiotics, a sign is defined as anything that communicates intentional and unintentional meaning or feelings to the sign's interpreter.

  7. Modality (semiotics) - Wikipedia

    en.wikipedia.org/wiki/Modality_(semiotics)

    The psychology of perception suggests the existence of a common cognitive system that treats all or most sensorily conveyed meanings in the same way. [ citation needed ] If all signs must also be objects of perception, there is every reason to believe that their modality will determine at least part of their nature.

  8. Film semiotics - Wikipedia

    en.wikipedia.org/wiki/Film_semiotics

    Denotation and connotation. Film communicates meaning denotatively and connotatively. What the audience sees and hears is denotative, it is what it is and they do not have to strive to recognize it. At the same time these sounds and images are connotative and the way the scene is shot is meant to evoke certain feelings from the viewer.

  9. Sign (semiotics) - Wikipedia

    en.wikipedia.org/wiki/Sign_(semiotics)

    Even when a sign represents by a resemblance or factual connection independent of interpretation, the sign is a sign only insofar as it is at least potentially interpretable by a mind and insofar as the sign is a determination of a mind or at least a quasi-mind, that functions as if it were a mind, for example in crystals and the work of bees ...