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This is a featured picture on the Arabic language Wikipedia (صور مختارة) and is considered one of the finest images.See its nomination here. This is a featured picture on the English language Wikipedia (Featured pictures) and is considered one of the finest images.
Napoleon at Austerlitz; Napoleon at the Tuileries; Napoleon Crossing the Alps; Napoleon I as Emperor; Napoleon I at Fontainebleau on March 31, 1814; Napoleon I on His Imperial Throne; Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon
Napoleon Crossing the Alps (also known as Napoleon at the Saint-Bernard Pass or Bonaparte Crossing the Alps; listed as Le Premier Consul franchissant les Alpes au col du Grand Saint-Bernard) is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805.
HA! artwork ID: la-coronacion-de-napoleon ; Salons ID: 23418 ; Panorama de l'art ID: sacre-de-lempereur-napoleon-ier-et-couronnement-de-limperatrice-josephine ; Bildindex der Kunst und Architektur PID: 0001426292 ; Bildindex der Kunst und Architektur ID (deprecated): 20372849 ; Authority file:
Bonaparte Before the Sphinx (French: Bonaparte devant le Sphinx) is an 1886 painting by the French artist Jean-Léon Gérôme.It is also known as Oedipus (Œdipe).It depicts Napoleon Bonaparte during his Egyptian campaign, positioned on horseback in front of the Great Sphinx of Giza, with his army in the background.
The sisters of Napoleon. In the replica, the dress of Napoleon's favorite sister is pink. This is the only change in the replica, despite it having been painted from memory. Charles-Francois Lebrun (1739–1824), the third consul alongside Napoleon and Cambacérès. Under the First Empire, he took the place of prince-architrésorier.
It is one of numerous paintings by Gros featuring Napoleon. [3] The Egyptian pyramids are clearly visible in the background. It was commissioned by the French Senate in 1809. [4] It was exhibited at the Paris Salon of 1810. The same year he also exhibited his Napoleon Accepting the Surrender of Madrid.
Although Napoleon briefly returned to power during the Hundred Days in 1815, culminating in his defeat at Waterloo, the events of 1814 served as a poignant reminder of the limits of his once-unrivaled dominance. French Campaign, 1814 immortalizes this moment, balancing the glory and tragedy of Napoleon’s final years as a leader. [2]: 210–211
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