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12 Variations in E♭ major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354 (Paris, 1778) 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello , K. 398 (Vienna, 1783)
The Studies for Player Piano is a series of 49 études for player piano by American composer Conlon Nancarrow.Often exploring complex rhythmic variations beyond the ability of a human pianist, these compositions are some of the best-known and celebrated compositions by Nancarrow, even though they are generally not considered a set of compositions, but rather individual compositions that were ...
Three Études for piano, Op. 104b (1834–1838) No. 1 Étude in B-flat minor; No. 2 Étude in F major; No. 3 Étude in A minor; Album-leaf (Albumblatt) in E minor for piano, Op. 117, "Lied ohne Worte" (1837) Capriccio in E major for piano, Op. 118 (1837) Perpetuum Mobile in C major, Op. 119; 3 Fugues [1] No. 1 Fugue in D minor; No. 2 Fugue in D ...
A piano reduction or piano transcription is sheet music for the piano (a piano score) that has been compressed and/or simplified so as to fit on a two-line staff and be playable on the piano. It is also considered a style of orchestration or music arrangement less well known as contraction scoring , a subset of elastic scoring .
Thomas Frederick Dunhill (1 February 1877 – 13 March 1946) was a prolific English composer in many genres, though he is best known today for his light music and educational piano works. His compositions include much chamber music, a song cycle, The Wind Among the Reeds, and an operetta, Tantivy Towers, that had a successful London run in 1931 ...
The Piano Concerto in A minor, Op. 54, by the German Romantic composer Robert Schumann was completed in 1845 and is the composer's only piano concerto. The complete work was premiered in Dresden on 4 December 1845. It is one of the most widely performed and recorded piano concertos from the Romantic period.
Sonata in F major, K376 for Cello and Piano, transcribed by Alexander Kniazev; Sonata-Rondo from Mozarts Fragment KV Anh. 46 (374g) for cello and piano 1782 (completed by John Hilliard) Franz Xaver Wolfgang Mozart. Sonata for violoncello and piano in E major, Op. 19 (published in 1820) Nikolai Myaskovsky. Cello sonata, Op. 12 in D (1911)
The Piano Sonata No. 3 in F minor, Op. 14, called "Concerto for piano without orchestra" by Tobias Haslinger, was composed by Robert Schumann in 1836 and dedicated to Ignaz Moscheles, to whom in a letter he comments "what crazy inspirations one can have". Liszt believed that the work was rich and powerful.