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The vesica piscis was a leitmotif of architect Carlo Scarpa and is used as a "viewing device" in Tomba Brion (Brion Cemetery) in San Vito d'Altivole, Italy. [11] Several other artworks or designs have also featured this shape: The cover of the Chalice Well in Glastonbury (United Kingdom) depicts a stylized version of the vesica piscis design.
Interlaced triquetra which is a trefoil knot. The triquetra (/ t r aɪ ˈ k w ɛ t r ə / try-KWEH-truh; from the Latin adjective triquetrus "three-cornered") is a triangular figure composed of three interlaced arcs, or (equivalently) three overlapping vesicae piscis lens shapes.
The hexafoil is a design with six-fold dihedral symmetry composed from six vesica piscis lenses arranged radially around a central point, often shown enclosed in a circumference of another six lenses. It is also sometimes known as a "daisy wheel". [1] A second, quite different, design is also sometimes referred to by this name; see alternate ...
A form of the Triquetra symbol which has the exact geometrical proportions to be composed of three overlapping Vesica piscis symbols — something which is important to a few authors of books on Christian symbolism. (Ribbons version
The two interlocking circles constitute the symbol known as the Vesica Piscis. In the well lid design, a spear or a sword bisects these two circles, a possible reference to Excalibur, the sword of the legendary King Arthur, believed by some to be buried at the nearby Glastonbury Abbey. Foliage represents the Glastonbury Thorn. Bligh Bond wrote ...
This particular version is based on a description in the book "Blood Brothers of Gor", using the geometry of the Vesica Piscis configuration (i.e. the overlap between two circles of equal diameter, where the center of each circle is on the circumference of the other).
Such an aureola is often a mandorla ("almond-shaped" vesica piscis), especially around Christ in Majesty, who may well have a halo as well. In depictions of the Transfiguration of Jesus a more complicated shape is often seen, especially in the Eastern Orthodox tradition, as in the famous 15th century icon in the Tretyakov Gallery in Moscow .
The "viewing device" of the pavilion of meditation suggests a vesica piscis, a recurring motif in Scarpa's architecture. [4] [5] Venetian influences such as the gold tiles familiar from Byzantine mosaics and Japanese influences such as the tea-room inspiration of the chapel are evident in the design. In the garden are a dense grove of cypresses ...
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