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These films include core elements of science fiction, but can cross into other genres. They have been released to a cinema audience by the commercial film industry and are widely distributed with reviews by reputable critics. Collectively, the science fiction films from the 1960s received five Academy Awards, a Hugo Award and a BAFTA Award.
Holography has been widely referred to in movies, novels, and TV, usually in science fiction, starting in the late 1970s. [1] Science fiction writers absorbed the urban legends surrounding holography that had been spread by overly-enthusiastic scientists and entrepreneurs trying to market the idea. [ 1 ]
Collectively, the science fiction films from the 1970s received 11 Academy Awards, 10 Saturn Awards, six Hugo Awards, three Nebula Awards and two Grammy Awards. Two of these films, Star Wars (1977, currently known as Star Wars Episode IV: A New Hope) and Superman (1978), were the highest-grossing films of their respective years of release.
The phrase "New Wave" was used generally for new artistic fashions during the 1960s, imitating the term nouvelle vague used for certain French cinematic styles. [2] P. Schuyler Miller, the regular book reviewer of Analog Science Fiction and Fact, first used it in the November 1961 issue to describe a new generation of British authors: "It's a moot question whether Carnell discovered the ‘big ...
Many of the most enduring science fiction tropes were established in Golden Age literature. Space opera came to prominence with the works of E. E. "Doc" Smith; Isaac Asimov established the canonical Three Laws of Robotics beginning with the 1941 short story "Runaround"; the same period saw the writing of genre classics such as the Asimov's Foundation and Smith's Lensman series.
Clarke has told of screening earlier science-fiction films for Kubrick, and Kubrick pronouncing them all awful, without exception, even Things to Come. 2001 was the first science fiction art film and had a philosophical scope that earlier films had not attempted. Many critics called it an incomprehensible mess when it first appeared.
Science-fiction or fantasy films employed a wider range of special effects, as in the original of The Time Machine (1960) and Mysterious Island (1961), or with animated aliens or mythical creatures, as in the Harryhausen animation for Jason and the Argonauts (1963) and One Million Years B.C. (1966).
This period is sometimes described as the 'classic' or 'golden' era of science fiction theater. With at least 204 sci-fi films produced, it holds the record for the largest number of science fiction produced per decade. Much of the production was in a low-budget form, targeted at a teenage audience.